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As I looked at the pure prototype beauty of these two specimens …
As Americans, we are easily entertained by conflict. Two months ago, such a conflict reared its head on Twitter between Refined Hype/DJBooth favorite K.
I can’t help but end this by repeating the old age saying …
leave the plastic body construction to the professionals …Lola Monroe announced that she had a gut full of rapper via Diddy’s newest signee King Los.
Now it’s filled with followers, friends, trolls, and a lot of content.
A representative for Memphitz said: The most in this case. Michelle was first signed, Memphitz enjoyed her voice, had big plans for her, and saw her as his "little sister". Michelle was always being too negative), so eventually Memphitz told her it wasn't going to work out. She is by no means "constantly negative." All communication I've had with her has been positive (if she's crazy, then so am I). As our own Nathan alluded to in his review of Jazmine Sullivan's "Fearless", the music industry is getting tired of these one-hit wonders and wants to settle down with true talent now (which explains the success of so many, not only Jazzy & K., but also Melanie Fiona, Janelle Monae, the list goes on...). I might be biased because I'm a "pro-artist" writer, but here's the scoop on him. His label, Hitz Committee, has only released one album in its lifespan - Huey's 2007 debut "Notebook Paper" (which was only released because lead single "Pop, Lock, and Drop It" was such a major hit).
At that point the "woman scorned" allegedly came out, stalking Memphitz back to his house and making threats to ruin his career. Michelle well online, I can tell you right now that 1. Despite being one of the better one-shot-major albums I've ever heard (I still play "Nobody Loves the Hood" on the regular), it did not sell well, barely going "bronze" (125k). In addition to Huey, other artists can attest to Hitz not really trying to get their debut albums released, with some leaving the label (Asia Cruise, bkf "Selfish") but others still drinking the Kool-Aid for some reason (Trai' D bkf "Gutta Chick", and Derty bkf "Uh Oh" ft. Kelly (who basically RUNS Jive- just ask Joe) has her back, is executive producing "Pain Medicine" now, and wrote and produced the future SMASH "Can't Do This". Because of his label's poor success rate, and because of Kellz' aforementioned power, Memphitz will lose his A&R position and start 2011 looking for a new home for the Hitz (my money's on Def Jam, Capitol, Interscope, or E1). As for Toya...she'll just keep riding the back of whichever successful man she needs to just to stay relevant.
A second album "Strictly Business" was planned (and even had a DVD release) with buzz singles featuring the likes of Trey Songz, Maino, Glasses Malone, Bobby Valentino, Juelz Santana, and Colby O' Donis, but it never dropped, leading Huey to quit the Hitz and go independent with his own Huey Ent. future death row inmate Lil' Boosie), still others not really caring about their album (Party Boyz), and one who the jury is still out on (Master Shortie). There will only be one RAP CITY, and BET needs to bring it back! It only airs once a week, Saturday nights at 2 AM EST. I know AFR's first entry got its fair share of negative reception by Freeway Ricky's followers, and this is likely to get just as much (if not more) from the Hitz.
I don’t want to commit myself to a lifelong commitment that was falsely constructed.
who get me to buy magazines with poorly written articles, full page ads for rims, and ads for clothes I no longer wear …
Her face an ethnic one, her body curvaceous with a smile to kill for, Angel definitely was, and still is, a site for sore eyes.